Internal Contradiction Externalised
Sometimes, especially in fables, the divided self is represented by two separate characters. This post extends the argument in Sequences: How they Work and it's accompanying Sample Sequences [...]
Sometimes, especially in fables, the divided self is represented by two separate characters. This post extends the argument in Sequences: How they Work and it's accompanying Sample Sequences [...]
Six worked examples of how films fit the ‘Three Key Questions’ paradigm. Narrative, Social/Psychological, Philosophical Questions Almost every screen story is constantly asking three core questions, [...]
Introducing standard script formatting too early undercuts clear cinematic storytelling. You don't need formatting software. You need a pen and paper, ideas, and a clear idea of what the audience [...]
Navigating and exploiting the multiple realities of story worlds. The three “realities” Stories sit at the intersection of three “realities.” the world as it is, the [...]
How a cinematic experiment led to a fundamental element of cinematic language. The Myth At some point every acting teacher quotes the oft-told story of [...]
What’s the relationship between reality and truth in cinema? Truth vs Reality in Cinema Cinema is the most “realistic” of the art forms. Not because it [...]
The less you explain the underlying psychology behind your characters’ actions, the more the audience will engage. So, keep it to yourself. In 1936, German [...]
Weak villains make for weak heroes. That applies to the argument your story is telling as well. Powerful stories need powerful counterforces, across all arenas. Make your story earn [...]
Writing lessons from a visit to the circus. When Failure Is a Feature, Not a Bug If success looks easy, it feels empty. Every night [...]
Don’t decide what your story must say and reverse‑engineer the plot to get there. Embark on a genuine open-ended journey of discovery. Start with a [...]